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Tag CloudAgave air layering albizia Alcataz Island Alcatraz alcatraz gardens Alcatraz history Alcatraz interns Alcatraz Island alcatraz plants archeology banana slug Bardou Job; heirloom rose Bees Black Point Gardens centranthus concrete cordyline dividing drought tolerant echium Fasciation Florilegium Gardens gladiolus Golden Gate Parks Conservacy Habitat hedera heirloom History invasives iris Parks Conservancy phenology photography Plants Pollinators Propagation restoration San Francisco Sustainable Gardening The Garden Conservancy Victorian Victorian Gardens volunteer
Slideshowbanana slugIMG_3197IMG_6524 (1)Jane OlenchukMelissa Harris (2)IMG_4413IMG_4432IMG_4547IMG_4652IMG_4655IMG_4664IMG_4675IMG_4685IMG_4755IMG_5744IMG_6500IMG_0210IMG_7039IMG_3371IMG_8486IMG_9446IMG_1772IMG_8600IMG_8615IMG_8616IMG_8622IMG_8625IMG_8829IMG_8833IMG_8839IMG_8844IMG_8845IMG_8847sal 2sal 6IMG_9306IMG_9360IMG_9367IMG_9394IMG_9399IMG_9411IMG_9413IMG_9429IMG_9439IMG_9444IMG_3909IMG_1385
Melissa Harris (2)
The island’s first purpose as a military prison introduced the construction of the Sally port and this is where all visitors first walk by today on their way up to the cell house. Before entering the Sally port, they are greeted with the island’s first garden and home to some survivor plants thought to be planted in the 1920s. Among this bed are two historic Cordyline that are very old and are showing signs of decline. The Cordyline australis planted in the Sally port gardens is an old variety and have been very hard to find in the nursery trade. The Cultural Landscape report suggests that these be replaced, but not until we have the same plant with the same genetic makeup of the replacements.
In efforts to replace these declining historic Cordyline, we have tried several propagation methods to ensure they remain as part of the gardens for years to come. All of the methods were done in mid-March and we recently have had some promising results. Below are detailed descriptions of the propagation techniques trialed.
Methods of Propagation
We first tried just a cutting of one of the canes and potted it up in a pot of our compost. We removed some of the foliage and trimmed some of the fronds back to reduce that amount of energy going into the foliage and instead put it into the formation of roots. At first, it seemed as though this method might work, but after about a month, the fronds were almost all dead. The cane itself had become soft and the inside had become rotten. I think this method would work using a thinner cane or a smaller one with less foliage.
For this method, we took three pieces of cane, about 6 inches long each and laid them horizontally, half way deep, in a tray of sphagnum peat moss mixed with our compost. I had thought this method would work best, and we actually did have roots start to form alongside the canes, but I think they ended up getting over watered and the canes started to rot. Unfortunately, all three were unsuccessful. I think if we were to try this method again, we would use a different media composition and not allow the soil to get too wet.
The air layering method turned out to be the most successful of the three that we tried. This method is actually done on the mother plant itself. We started by soaking sphagnum peat moss for a few hours. This is crucial to keep the stem moisturized to allow roots to form. On one of the canes, we cut an inch wide ring through the cambium layer and removed the bark around the cane. Next, we took the soaked peat moss and wrapped it around the cut tightly and then wrapped it with plastic wrap and tied string around it to hold it in place. We did this twice more on separate canes. We recently cut the three successful air layered canes from the mother plant because roots had formed and they were ready to be potted up. We first soaked them before potting them to allow the peat moss to rehydrate. We put the new plants in five gallon containers and they are happily living in our greenhouse until they reach a more mature state with more developed roots to replace the ones at the Sally port.
The air layering method can be used for other woody shrubs and works well for some trees. This method does take a while to see some roots form, but once they do and it is cut from the mother plant, you already have a bigger plant than you would if you propagated it by seed or a cutting.
To replace the survivors, it is important that they are replanted with the same species of the current Cordyline. By propagating them by the methods we tried, it ensures that the replacements have the same genetic makeup of the current plants. We are very excited to have successful clones to replace the current failing Cordyline.
The gardens were fortunate this summer to have two youth interns through the Parks Conservancy youth program. As they wrap up their 140 hours working in the gardens, there was still another skill they needed to know – how to select plants from a nursery.
We headed down to Pacific Nurseries, a wholesale nursery in Colma to do our shopping. Our mission was to find plants that would fill in areas on the windy west side of the island in the Prisoner Gardens. Sections of this garden are always struggling to cope with the extremes of heat and fog, wind and the curiosity of gulls, even after the gardens were restored in 2009, they still aren’t quite right.
Upon pulling into the parking area, my eyes always light up with seeing the plants laid out in groupings of perennials, shrubs, roses, succulents, annuals and shade lovers. Sometimes, I place an order and can go and have everything ready, but often, I just see what is available and chose from the vast selection.
For the Prisoner gardens we were on the hunt for perennials, mostly Salvias as the ones we already have are thriving.
We started with 1 gallon pots of Salvia clevelandii. The first thing to notice was the health of the leaves and checking that the stems are not broken. Salvia clevelandii tends to be brittle anyway so extra care needs to be taken while handling them.
Turning the pots around, it’s is essential that we are not taking any hitchhikers to Alcatraz – namely snails and slugs and weeds.
Explaining what a ‘root bound’ plant
looks like is a lot easier when standing in a nursery. While Pacific Nurseries have excellent plants to choose from, sometimes roots get circling the inside of their container and can even root into the ground through the drainage holes. Plants like this tend not to adapt well once wrestled out of their stricken home and in bad cases, there may be hardly any soil left in the pot, leaving the plant suffering from drought as well.
With plants we choose, we have to go through quite an effort to haul them to the boat to get them to the island. Checking that the plants are well watered helps the plants with the trip. The interns could feel the weight difference in pots that were dry versus heavier pots that were well watered. Of course, the growing median makes a difference too (but we’ll save this lesson for another day).
We soon had our carts full and packed the van!
While we checked out with our purchases, the interns had 15 minutes to run around and look at all the types of plants. I’m sure their Instagram accounts are full of selfies with the plants. Pulling off the freeway to come back along the Embarcadero, the van was noticeably quieter – a look into the back showed both interns had fallen asleep. Definitely a sign of a great shopping day!
The term ‘invasive’ is often misused to label plants or anything that is intrusive in the natural environment. It is something I have only recently began to question. What actually validates a plant being invasive? (I’m going to stick to just talking about plants… I am a gardener after all!) My experience with talking to the public when removing invasive or unwanted plants has been pretty limited, but this past week as I was weeding the lawn, a guest on the island asked me, “Are you weeding invasive grasses?” Without really thinking about the question, I said, “Yeah.” The grasses we were removing from the lawn were crabgrass, annual bluegrass, and rattail six weeks grass. After he walked away I was left thinking, “Are those really considered ‘invasive’?” This led me to a bit of research in pursuit of an answer…
Plants that are invasive are actually scientifically categorized as so. It seems like scientists also have trouble labeling whether or not a plant is invasive or how plants can eventually become invasive over a long period of time. Plants that aren’t native to an area aren’t considered to be an invasive species until they have a negative impact in disrupting a native area. The displacement of native species and the ability for a non-native to cause economic and human harm are the two attributes for a plant becoming an invasive species. The Environmental Detection Distribution and Mapping System (EDDMS) have a simple list of characteristics showing the differences between an invasive and an ornamental plant:
The three grasses we were removing from the lawn are actually not on the invasive list for California. They are weeds, unwanted in our native sedge lawn, but aren’t labeled as invasive. Plants can however become invasive over a period of time. Because of this, it’s important to monitor non-natives and their growth in native areas.
This graph is a good representation of how plants begin to become a threat to natives and the actions that should take place to keep it under control.
During the lag phase and early recognition is when it is less costly and easier to eradicate. To prevent plants from reaching levels of higher efforts to control, it is crucial to catch them and be aware of the plant’s potential threat to a native area.
So, with all that being said, let’s see if we can clear up some misunderstanding on a few plants that call Alcatraz home. I think my favorite example, is the Echium candicans or commonly known as Pride of Madeira. It is a plant native to the island of Madeira, but has been introduced to the coast of California and thrives very well here. Many think that this plant is invasive because it is found among the hillsides and coastal bluffs mixed with native plants. Although it does spread fairly easily, it has shown no threat to native plants and is listed on the California Invasive Plant Council, (Cal-IPC), as a limited threat. It is a well admired plant on the island and copes well with the high winds and little rainfall. It is an island survivor plant that has naturalized itself and is a great pollinator for bees.
On the other hand, English ivy, (Hedera canariensis), is a plant that is considered to be a high threat on the Cal- IPC list. It is found all over the island and was one of the more prevalent plants contributing to the overgrowth in the gardens and is still a plant that we are consistently working on cutting back to keep it at bay from the garden beds. In other overgrown areas though, the ivy plays a vital role during water bird nesting season. They use the ivy overgrowth as a nesting site to lay their eggs and raise their young. Himalayan blackberry (Rubus armeniacus), is another plant found on the island that is listed as a high threat and we eradicate it from the garden beds, but leave it be in overgrowth areas because the birds also use it for nesting.
Jupiter’s beard (Centranthus ruber), and Mimosa tree (Albizia distachya), are examples of plants on the island that are commonly mistaken as invasive. They both are island survivors and spread fairly easily, but neither is listed on Cal-IPC as invasive. We like to use the term ‘aggressive’ and we monitor them and remove any unwanted seedlings. The mimosa tree is a nesting site for Anna’s hummingbirds and Jupiter’s beard adds a seasonal burst of color throughout the gardens.
I hope this clears up some confusion about what invasive actually signifies. Just because a plant isn’t native doesn’t make it invasive. The invasive plants on the island are kept in check and tell the story of the islands past gardeners. For today’s gardeners, you should check local plant lists for invasive species before purchasing.
Most people are familiar with the idea of a portrait – usually it brings to mind a picture of a person that captures a close up of their face and maybe tells something about the person’s personality or life. It turns out you can also do portraits for plants! Last week, I had the opportunity to go to a talk at the Marin Art and Garden Center in Ross to learn how to build a Photo Florilegium from Saxon Holt and David Perry.
Florilegia (plural of florilegium) were started by Victorians to document a specific collection of plants, usually painted with watercolors. The illustrations would be bound in a book and later became popular as framed prints. With the Alcatraz Florilegium in its final year, I was curious to see what a photo Florilegium is and hopefully pick up some tips for taking better photos of the gardens and plants.
First to speak was Saxon Holt, a renowned plant photographer who has several e-books and bestsellers. A successful garden photographer for over 40 years, Saxon had plenty to share with us.
Saxon is perfecting a technique called ‘extraction’. Done in Photoshop, close-up shots of a plant are taken. Usually a number of exposures are taken to get a portion of the plant entirely in focus with sharp edges. The plant is brought forward out of the background. This technique has many cool details that are missing in a typical hand painted illustration.
First, a photograph captures the plant where the gardener chose to put it, with the colors in the background and showing the plant in context with its surroundings. Second, a photograph only records a moment in time. The portrait captured is never going to look exactly like that again. With the ease of recording GPS coordinates, it is relatively simple for anyone to return again and again to the same plant to capture stages of the plant’s life – creating a true portrait of the plant.
One feature of the Alcatraz Florilegium
illustrations that I’m drawn to is when artists paint the brown tips on leaves, rust and when the plants are setting seed and going dormant. This is truly how the plants are.
David Perry next spoke on tips for taking plant portraits. One point David was quick to say was that you do not need an expensive camera to take great photos. The main thing is to have the eye to know a good shot.
Think of photographing plants as you would people, keep in mind that you want to tell a story. David explained that a common problem when taking photos is that most people take pictures of nouns (snapping pictures of a tree, flower or a landscape). What are lacking are verbs, adjectives and prepositions. Brushing up on grammar school, this simply means don’t take mug shots of plants. Take photos that say something.
Tips from David made perfect sense:
-Look up / Look Down – people tend to take photos of what’s in their view. With the average height of people being between 5’3” and 6’3”, most photos are from this perspective.
-First / Last light of the day is best – the best light is already gone by the time people are putting the second cream in your coffee. Stick around after sunset for the best light. White flowers almost will glow in this fading light.
-Keep going back – show different moods of the same plant in different light, seasons, capture the telling detail of the plant.
-Be mindful of what’s in the background – avoid getting houses, and you can also create your own background with sheets of patterned paper for close-ups.
-Photo apps that David likes – camera+, handyphoto, overphoto, and mextures. All of these are a few dollars each and are fun to play with.
David also said ‘it’s not fair to let the plant do all the work’. He recalls being intimidated by ‘how pretty she was’ when referring to Rose ‘Felicite Hardy’.
Listening to these energized photographers, it was easy to see why they are so passionate about plants and photography. Gardeners are passionate to plant and to care for a garden, and now another step is to take photos of the plants you have chosen to be a part of your garden – creating a Photo Florilegium of a garden that is unique from any other garden.
Alcatraz, as a Historic National Landmark, has a pretty constant look, even the silhouette view of the island from the city is considered historical. However, over the past two weeks, the look of the island has changed dramatically. Unlike earthquakes that suddenly jolt the landscape into a different look, tree maintenance can (and should be) planned for.
Like all changes to the landscape, approval from the National Park Service was essential, especially when two one-hundred year old trees are being questioned. As a starting point, the Cultural Landscape Report that was adopted in 2010, had made the recommendation for tree work on the island’s historic and non-historic tree. The difference between historic and non-historic is any tree growing on the island between 1854 and 1963 is considered historic – any tree outside of that time frame is non-historic.
Tree maintenance, and especially tree removals, are quite expensive. With limited funds, we realized we could not do all of the recommended work at once, but would need to spread it over a few years. To help us decide what work should be done right away, tree consultants were brought in. The consultants evaluated each of the historic trees on health and safety. Non-historic trees were not examined as they will be removed anyway and were not posing any safety hazards.
The consultant’s report made a few recommendations that went against the recommendations in the Cultural Landscape Report. With experts advising us, we decided to go with the consultant’s report.
To obtain the National Park Service’s final permission, a detailed description of all the work to be performed needed to be entered into the Planning, Environment and Public Comment (PEPC). A well written summary answers the 5 W’s (who, what, where, when, why) and the 1 H (how). Maps and diagrams may be attached and often help to explain to the people who review the projects who are not familiar with project sites. For the tree work, an administration approval was granted, however, sometimes a presentation must be made to a committee.
The consultant’s gave safety priority ranking and trees along the main roadway that leads to the cell house were ranked highest. The consequences of a tree falling along the main roadway would have frightening implications for visitors and staff, not to mention close down the only road that leads to the cell house.
Loud disruptive work must be completed before the annual bird nesting season begins on February 1, so a push was on to get the work done.
Sounding like an opening scene for a scary novel, the arborists boarded a ferry on a dark and stormy morning out of San Francisco with their chainsaws in hand.
Starting work on probably the rainiest day was just bad luck. Nevertheless, lines got strung up in the trees, equipment moved to where it needed to be and the next morning work started promptly at 6am with the ferry ride.
The arborists made steady work pruning the large Eucalyptus and moved onto various cypress along the roadway. The arborists were more like trapeze artists up in the trees. The crews skillfully tying limbs to be lowered to the ground instead of just letting them drop. Visitors actually cheered them on when large limbs were cut.
The amount of light and the feeling of airiness was apparent to us immediately. Often you don’t notice how overgrown a plant has become.
While it is sad that trees were cut down, it is important to remember that trees have lifespans as well. One of the trees will be replanted with another cypress and in another 100 years, we will likely cut it down again and replant. Even looking at historic photos from the military, there are many trees in the photos that are no longer there. Plus, for an island that originally had no trees, we should keep Antoine De Saint-Exupery quote from The Little Prince in mind ‘You become responsible, forever, for what you have tamed.
Past garden manager, Carola, is quoted in Alcatraz’s Discovery film as saying the gardening is like ‘garden archeology’. Her words perfectly described the work of clearing vegetation and finding artifacts and landscape features that had lay hidden underneath ivy and blackberries for decades.
Her words are still very true today. The garden crew has been in over their heads clearing ivy from trees and uncovering terrace walls.
Using the Cultural Landscape Report for Alcatraz Island as a guide, permission was granted by the Park Service to clear overgrowth from known garden areas that no one had worked in since the prison closed in 1963. As part of the approval, garden volunteers and staff attended a lecture by National Park Service Archeologists, Leo and Peter.
With broad reaching strokes, Leo and Peter described their work across the park. San Francisco has a rich history with native settlements, missions, military history. Every time significant ground disturbance is done in the Park, this duo is on the scene. Some finds are accidents whereas others are known sites of interest. Leo described what to do in case items were found –
-take a photo with a point of reference in the background, not to zoom in on the object but give an easy way to find where the object had been found.
-fill out the paperwork that marks on a map where the object was found, and describe the item and the circumstances under which it was found
A key point was to distinguish between a single item found and a ‘feature’. A feature, as we now know, is considered a group of artifacts. In the case of finding a feature, the objects should be left in place and give Leo a call.
All of the objects found are taken to the Presidio archives where they are cleaned, recorded, and added to the collection. For garden artifacts, Leo has been marking the locations of the items on an overall map. Overtime, the pinpoint locations of objects give a big picture of significant areas, slow archeology in a sense.
Most people think of Alcatraz as only a federal prison, but the island has layers of history that equals the city of San Francisco, where the story of the gardens is woven throughout. Seeing the island through Leo’s eyes was really, well, eye-opening. Landscape features that we always walk by, were given an explanation, or at least a theory that made us all think – ah, that makes sense. For example, many parts of the island had a whitewash over the bricks, stone and concrete. The whitewash façade has fallen away in many areas, but the anchor holes of the façade remain.
Today, the holes look like planting pockets. We had always wondered about the evenly spaced shallow holes. They obviously weren’t big enough for a large plant with roots, or even to hold moisture during the dry summer. With Leo giving his theory of the holes being the anchor points, the holes suddenly made sense. By chance, the cliff below the Warden’s house is being stabilized with the addition of fake rock being anchored with long bolts – just like was done long ago.
One of the coolest objects found was an arrowhead several years ago, and another arrowhead showed up a few months ago. Leo explained that the arrowheads can be dated by using the fact that glass absorbs water at a specific rate for locations.
Other features of the island, are fun to speculate over – the bluestone found on the island is only found in a few locations around the Bay Area, Angel Island and Corte Madera. Not only did significant labour went into gathering the bluestone and hauling it to Alcatraz, but seeing it used for building reflects a known time period and a recycling of building material as well. Leo’s passion was evident as he said ‘some we will never learn but there is meaning in it all’.
Our take away lesson from Leo’s talk was to “overly thoughtful and nerdy about everything you find”.
Most gardeners hear the word slug and immediately have a negative thought about them being destroyers of their beautiful plants and I was guilty of this assumption too when I first heard banana slug. In most cases they are a nuisance, but the Pacific banana slug (Ariolimax columbianus), along with its other two relatives, the California banana slug (A. californicus), and the slender banana slug, (A. dolichophallus), have a different role in the environment. Banana slugs are detritivores (decomposers) and thrive on dead plant material, mushrooms, animal droppings, moss, and leaves. They recycle these materials and help with the dispersing of seeds and spores as well as take part in creating nitrogen rich fertilizer. The dead organic matter they consume supports decomposition on the forest floors and aids in nutrient cycles.
Banana slugs are primarily found in the Pacific Northwest, ranging from southern California up to Alaska and are home to moist, temperate, forest floors. They are the second largest slug in the world, reaching up to 10 inches (25 cm) in length and can live to be seven years old. They get their name because of their yellow coloring, resembling a banana, but can also take on dark spots or even become a little greenish. This is caused by a number of things such as their food consumption or the light or moisture levels they are exposed to and even the health of the slug. They have two sets of antennae that serve different purposes. The shorter set is used for sensory while the longer pair is used for sight.
One of banana slug’s unique characteristics is their slime. Banana slugs are prey to raccoons, garter snakes, ducks, and geese, but their slime serves as an anesthetic to predators causing their mouth to go numb if they dare take a bite. The slime isn’t toxic to humans and people have been known to lick them to test the theory of the numbing sensation. I personally haven’t tried it, but know people that can attest to its factuality. Another benefit of the slime is its ability to help them retain moisture. Banana slugs are mostly water and are prone to desiccation. The slime actually helps attract water and has the potential to absorb up to 100 times the slugs water weight. Slime also supports the banana slug’s mobility in navigating through the forest, gliding over dirt, leaves, and other debris.
Being new to the West Coast, I was unfamiliar with the banana slug’s positive influence on the forest floor and contribution to the soil. I thought they were a nuisance to the garden and plant life similar to other slugs, but in fact they are an important aspect of the ecosystem assisting in decomposition. The banana slugs still remain happy, innocent, inhabitants of the island. I was very excited the first time I spotted one and after I saw one, I must have seen 30 that day. Keep your eye out for these cute little guys on moist days and appreciate their positive impact in our beautiful forests. Hugs for slugs!
Did you know that when the cell house on Alcatraz was completed in 1912, it was the largest steel reinforced concrete structure in the world?
The world of concrete has come a long way since then, becoming the main building material in pretty much everything from buildings to bridges, and is actually the world’s second most consumed material (water is first). Fittingly, Alcatraz continues to play a part in the latest technology for concrete with the Concrete Preservation Institute.
A National Park Service Partnership began with a school program based out of Chico State University for students in Concrete Studies to have hands-on experience. Alcatraz happens to be an island full of concrete that is weathering in the salty wind that offers endless projects to students.
Much like the Alcatraz Historic Gardens Project, the Concrete Preservation Institute program quickly grew and, as of 2015, is now its own separate ‘non-profit educational foundation that advances the industry and partners with the US National Park Service at Alcatraz Island to preserve landmark structures’.
Personally knowing very little about concrete, other than it is strong, I wanted to know more about how the students worked their magic of transforming deteriorating railings back into new. Catrina, a current student of the program, and Scott, one of the programs leaders were generous with their time to answer my questions.
The concrete preservation projects the team works on are decided by a Projects and Stewardship committee of staff from the National Park Service, the Golden Gate National Parks Conservancy and the CPI team themselves. As the program continues, the student’s projects are getting more complicated and more skilled. However, the gardens offer a fairly straightforward project with the many concrete panel railings in the Rose Terrace and Officers’ Row. For each project, students learn project management and hands on training doing the work. For management, students run the project and comply with NPS protocols such as providing an existing conditions report, historical report and taking in progress photos to document the work. The hands on training involves drawing the railings to scale in blueprints, building the forms and learning how to work with the various materials with safety as a priority.
In her own words, Catrina is embracing CPI for what it is; a once in a lifetime opportunity to be a part of becoming an asset to history. “I am learning so much here. Other internship would be all paperwork and no application of skills. This is what makes CPI different. We learn from instructors who have dedicated their lives to the concrete Industry”. The students frequently receive visits from people who literally write the textbooks students use in concrete engineering majors!
Q: Can you tell me a bit about the program itself?
A: CPI is a twelve weeks program open for college students and post nine eleven veterans. There are 3 sessions per year. CPI teaches students research & technology innovation, tool knowledge and application skills, importance of industry job site safety, and using skills to apply to preservation of Alcatraz. There are people from many different educational backgrounds in this program. Some participants educational background range from construction industry management, civil engineering, biology, megatronics engineering, and architecture. Several people involved are both in schools and active duty servicemen and vets who served in Iraq. Veterans are always urged to join CPI program. I believe this program is an amazing opportunity for anyone who is involved.
Q: What makes the concrete you are using now special?
A: The concrete we are using is manufactured by BASF to add extra features to withstand the elements which typically limit the longevity of concrete. We mixed fibers in the mix for the panels of the railing because those areas are subjects to a greater weight load because of the top portion of railings. The panels are only 2″ in thickness so the panels have stainless steel threaded rods (the new rebar) embedded in them. Cracking over time is natural process in concrete because the rebar corrodes. The synthetic fibers never break down and so in theory, the concrete should last indefinitely.
Catrina was initially informed about this opportunity from her program director at New Jersey Institute of Technology. The current session finished on August 21 program and she will have a greater advantage for applying for fellowships and scholarships. In the fall, Catrina will continue her schooling at New Jersey Institute of Technology for her engineering degree in concrete industry management and construction management. Her future is bright with limitless possibilities.
With the abundance of concrete in the world, skilled people will be very much in demand to care for aging structures. Students will either go directly into the industry after their internship or will return to school to study chemistry, biology or architecture.
Not only do the kids go back to school, it’s the perfect time of year to propagate your favorite roses from cuttings!
Tapping into the wealth of knowledge from other volunteers on Alcatraz, we found out that a bird docent has a skilled hand at propagating heirloom roses by cuttings. Karen Vandergrift willingly offered to demonstrate her knack.
To start, after the rose has bloomed and before the rose hip has started to form, a cutting should be taken down to the fourth leaflet, and cut the stem ½” above the bud.
Next, pull off the leaves from the lower two buds and trim off any buds or blooms still remaining on the cutting.
Then, with sharp pruners, cut the top half of the leaves off. This will reduce the surface area that will draw moisture out of the plant.
After that is done, lightly scrape off the layer of stem down to expose the cambium that is on bottom 2” of the stem. Dip the cutting in root hormone.
Using a clean one-gallon pot, stick the cuttings in moist soil, we used our Alcatraz compost, but a potting soil mix would be fine. We put three cuttings in one pot, so hopefully one of them would take. Karen explained that she likes using a 1-gallon pot so the cutting has ample room to grow and does not need to be disturbed by repotting if it were to be started in a sleeve. She also explained that the 1-gallon pot will not dry out as fast as smaller pots.
Create a mini-greenhouse by placing skewers in the 1-gallon pot and putting a plastic bag over the skewers. The plastic bag and cutting the leaves stops evapo-transpiration that dries out the soil and the tissue of the cutting. Be sure that the leaves of the cuttings are not touching the sides of the bag as this would cause the leaves to rot. The pots are in our greenhouse, out of direct light.
We should have rooted cuttings in 6 weeks. We were instructed to water a little bit in one week – and mostly lift up the pots to see if they are light, then they need water.
If no growth is obvious in 3 months, then we’ll try again!